![]() It has pioneered its own distribution channels and spawned adaptations across media platforms. Byomkesh Bakshi was created by Saradindu Bandopadhyay, although the story Satyanweshi(The Inquisitor), in which Byomkesh and Ajit meet for the first time, is often the first story in most Byomkesh anthologies, the first Byomkesh story ever written was Pother Kanta( The Gramophone Pin Mystery) in 1932. Crime fiction in South Asia has been intensely translational, not just from English but also across South Asian languages. ![]() ![]() Crime fiction has also allowed women writers to imagine bold female detectives who challenge and debate gender norms, from Kamala Satthianadhan’s trailblazing Detective Janaki (1934) to Sujatha Massey’s Perveen Mistry. The chapter focuses on iconic ‘homegrown’ detectives like Byomkesh Bakshi in the 1930s, the quintessential Bengali gentleman detective engaged in the high pursuit of truth, the debonair detectives Faridi and Imraan created by Indo-Pakistani writer Ibne Safi in the 1950s–1970s, and the heroes of ‘hard-boiled’ Hindi crime fiction in the 1970s–1990s. This chapter traces its development from its colonial origins under the aegis of a local boom in print media, ‘intrusive’ colonial law and policing and the influx of European narratives combined with precolonial tropes. The film spawned three sequels until a date called Abar Byomkesh, Byomkesh Phire Elo and Byomkesh Bakshi, which were released on 23 March 2012, 19 December 2014 and 26 October 2015 respectively Fence Byomkesh Bakshi is a Bengali detective (although he likes to be dealt with as Satyanweshi, eng. Detective or crime fiction has had a long and varied history in South Asia, at times inflected by local concerns, at other times transporting readers into a world of international intrigue.
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